{"id":10891,"date":"2026-03-06T23:56:30","date_gmt":"2026-03-07T06:56:30","guid":{"rendered":"https:\/\/qualityofmercy.com\/blog\/?p=10891"},"modified":"2026-03-15T12:21:27","modified_gmt":"2026-03-15T18:21:27","slug":"ars-protestationis","status":"publish","type":"post","link":"https:\/\/qualityofmercy.com\/blog\/2026\/03\/06\/ars-protestationis\/","title":{"rendered":"Ars Protestationis"},"content":{"rendered":"\n<p>Last month I spent two weeks in the Twin Cities, my annual sojourn to my wife <a href=\"https:\/\/qualityofmercy.com\/blog\/tag\/andrea-carney\/\" data-type=\"post_tag\" data-id=\"1049\">Andrea Carney<\/a>, who lives in Eagan, a suburb of Saint Paul. We didn&#8217;t visit memorials to the recently fallen, although we did drive past the Whipple Building where ICE jails abductees (on the way to celebrate our thirty-second wedding anniversary). Local network newscasts continue to cover roundups and reactions. We learned ICE was moving to the \u2019burbs, but we hadn&#8217;t seen that there. Nonetheless, we counseled our Filipina daughter-in-law to carry her passport.<\/p>\n\n\n\n<p>I didn&#8217;t take in any live music while I was in Eagan, but I&#8217;ve been thinking it&#8217;s time to share a few songs sung in resistance to ICE as well as that exhibited in Gaza and the West Bank. <\/p>\n\n\n\n<p>I just missed a January 30 appearance at Minneapolis&#8217;s historic club First Avenue by Tom Morello (ex Rage Against the Machine) and others. as a benefit for the families of Renee Good and Alex Pretti. Morello was joined by Rise Against, Al Di Meola (!), Ike Reilly, and a (Very Special Guest), documented below. The &#8220;boo\u201ds you&#8217;ll hear are an indication of the political persuasion of many in Morello&#8217;s audience.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bruce Springsteen - Streets of Minneapolis - First Ave 260130 #tommorello \" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/_jHeCwz4LGA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>While The Boss&#8217;s sentiment is pretty pedestrian, he does pay tribute to the fact that, following the earlier killings of Philando Castile and George Floyd, &#8220;a city aflame&#8221; in 2016 and 2020 now &#8220;fought fire and ice,&#8221; pun intended. <\/p>\n\n\n\n<!--more-->\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Singer-songwriter Jesse Welles posts what seems like a protest song a day. Again, a fairly straightforward, realist report.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;Join ICE&quot; - Jesse Welles (LIVE on The Late Show)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/61I4hlig78w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Some of the numbers that follow are subtler and more nuanced. To wit, Mavis Staples, who simply reminds us that her faith is rooted in the dilemma of a (certain) stranger. Except that I was asked by my friend Rob Berg after I&#8217;d posted this, Who wrote it? I assumed it was Staples, but it was Kevin Moray who wrote it, releasing it as a single in 2016 as a reaction to the 2015 attacks in Paris, the Pulse nightclub massacre in Orlando, and the death of Freddie Gray while in Baltimore police custody.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mavis Staples - Beautiful Strangers (Live) [ft. Kevin Morby &amp; Nathaniel Rateliff &amp; the Night Sweats]\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/zz_BL4xc_6U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">This live version features <a href=\"https:\/\/youtu.be\/mgsc_VyQ2PI?si=Y_6ul4v0wAnOXDqY\">Kevin Morby<\/a> and Nathaniel Rateliffe, left, who as a missionary discovered Denver, where he relocated and where this is staged, at the, mm\u2026, Mission Ballroom.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Next, Staples helps out Lucinda Williams with her low-key meditation on the karmic nature of, well, nature and the street.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lucinda Williams &quot;So Much Trouble in the World&quot; (feat. Mavis Staples) [Visualizer]\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/RiMn6Aktaho?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Rapper Consequence teams up with Public Enemy&#8217;s Chuck D to turn on its ear JFK&#8217;s famous challenge regarding what can be done.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"What Has America Done by Consequence featuring Chuck D of Public Enemy\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/u4KVMevAhNo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>British singer-songwriter Will Varley is a visual artist also, and he brings his artist&#8217;s eye to lines like<\/p>\n\n\n\n<p style=\"padding-left: 40px;\">And the music on the adverts plays like prisoners of war<br \/>Who&#8217;ve been forced to sell the weapons that they used to abhor<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Will Varley - &#039;We Don&#039;t Believe You&#039; (Official Video)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/N9ixUlfFVmY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A discussion of the double-edged sword of outrageousness follows. It&#8217;s Belfast band Kneecap&#8217;s stock in trade, but Trade trumps all.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Kneecap, Glastonbury &amp; the Cost of Dissent: Who Controls Protest in Music?\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/mzTQWJutp_M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Caution: Stroboscopic effect at about 6:30.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Crass cofounder Steve Ignorant explains that it&#8217;s no wonder we harvest carnage, when we remunerate the r(e)aper.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sunny War (feat. Steve Ignorant) - &quot;Walking Contradiction&quot; [Official Music Video]\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/Qvgrvk3iUyM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">NB: Minor Threat was a DC punk band whose song \u201cStraight Edge\u201d fostered a movement that shunned substances.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Van Dyke Parks discusses the American Dream in the context of the Beach Boys&#8217; &#8220;Heroes and Villains.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Van Dyke Parks \/ Brian Wilson \/ The Beach Boys - Heroes and Villains | Top 2000 a gogo\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/13pw5v4pRco?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>The Times<\/em> wrote that Parks&#8217;s album <em>Tokyo Rose<\/em> &#8220;ploughs its charming, obscure and highly original furrow, faintly evoking Gilbert and Sullivan or Rodgers and Hammerstein rather than any discernable acknowledgement of rock, soul or pop.&#8221; Here, Tod Maffin displays his own brand of nationalism via these Victorians.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"I Am the Very Model of a Modern-Day Canadian\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/9k7OUowPPMQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Cheekface provides the soundtrack to the late Mike Davis&#8217;s <em>City of Quartz<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cheekface \u2013\u00a0Hostile Street lyric video\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/n4up0PZnqwM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Timely cover.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LCD Soundsystem &amp; Pulp, We Don&#039;t Need This Fascist Groove Thang @ Hollywood Bowl in LA 9\/26\/25 [4K]\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/bAVrJMu49z4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I usually steer clear of AI-generated material, but this one&#8217;s for Andrea.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Yankees out of Latin America! - #SongsAgainstEmpire\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/ZOi8elQwY4g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In all the television coverage of what&#8217;s belittled by the phrase &#8220;humanitarian crisis&#8221; in Gaza, I&#8217;m struck by the contradictions exhibited by the following. The crystal chandelier in a roofless ruin speaks to a resilience that cannot be extinguished.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Zeyne - Kollo Lena | \u0632\u064a\u0646 - \u0643\u0644\u0647 \u0644\u064a\u0646\u0627 (Official Music Video)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/_T8CQsoJoFQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In &#8220;Death of Love,&#8221; James Blake channels Leonard Cohen, literally. He lifts and samples from Cohen&#8217;s &#8220;<a href=\"https:\/\/youtu.be\/8StKOyYY3Gs?si=yWw6Tvu_Qmxxq0AZ\">Dance Me to the End of Love<\/a>&#8221; and &#8220;<a href=\"https:\/\/youtu.be\/v0nmHymgM7Y?si=-WjbHNGCMaXn1HGb\">You Want it Darker<\/a>,&#8221; including the latter&#8217;s &#8220;Hineni&#8221; (Hebrew: Here I am) as well as its vocal arrangement. &#8220;People are losing interest&#8221; is an indictment of the private and public predicament.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"James Blake - Death of Love (Live) (Official)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/neglkknTYB4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In my first collection <a href=\"https:\/\/qualityofmercy.com\/blog\/2019\/01\/28\/everybody-dance-now\/\">Everybody Dance Now 1<\/a>, I spotlighted some numbers that feature choreographic compulsion, even contagion (see the late Avicii&#8217;s &#8220;<a href=\"https:\/\/youtu.be\/_ovdm2yX4MA\">Levels<\/a>&#8220;). Here Icelandic composer \u00d3lafur Arnalds portrays movement as\u2026<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"SAGES - by \u00d3lafur Arnalds &amp; Loreen\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/4OTd2qBH6jQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Speaking of compulsion, Ulster native Lisa O&#8217;Neill&#8217;s &#8220;The Wind Doesn&#8217;t Blow This Far Right&#8221; was my impetus for posting these expressions of resistance. It is unapologetic in its sentiment and sentimentality.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lisa O&#039;Neill - The Wind Doesn&#039;t Blow This Far Right\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/Nbm-pNGPuo8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>&#8220;Life is Scary Horses&#8221; brings together two of my favorite singers, Bonnie &#8220;Prince&#8221; Billy (aka Will Oldham) and Sally Timms (of Mekons). I offer this after a trans-Pacific conversation tonight with my brother Richard Hughes concerning <a href=\"https:\/\/ai-2027.com\">something to be concerned about<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bonnie &quot;Prince&quot; Billy - Life is Scary Horses (Official Video)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/LjNghUy1Ykc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Gaza to Minneapolis and beyond, there&#8217;s Something in the Air.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[682,85,33,147,390,134,73,103,188,36],"tags":[1049,249,1513,895,1502,1515,1507,1506,1525,1498,1521,1510,1518,1523,1516,545,1522,1517,1352,1524,1511,1512,1509,1520],"class_list":["post-10891","post","type-post","status-publish","format-standard","hentry","category-international-affairs","category-labor","category-music","category-news-media","category-polemics","category-police","category-prison","category-racism","category-religion","category-video","tag-andrea-carney","tag-avicii","tag-beach-boys","tag-bonnie-prince-billy","tag-bruce-springsteen","tag-cheekface","tag-chuck-d","tag-consequence","tag-gaza","tag-ice","tag-james-blake","tag-kneecap","tag-lcd-soundsystem","tag-lisa-oneill","tag-mike-davis","tag-minneapolis","tag-olafur-arnalds","tag-pulp","tag-richard-hughes","tag-sally-timms","tag-steve-ignorant","tag-van-dyke-parks","tag-will-varley","tag-zeyne"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paF2cn-2PF","_links":{"self":[{"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/posts\/10891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/comments?post=10891"}],"version-history":[{"count":81,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/posts\/10891\/revisions"}],"predecessor-version":[{"id":11004,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/posts\/10891\/revisions\/11004"}],"wp:attachment":[{"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/media?parent=10891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/categories?post=10891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/tags?post=10891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}