{"id":1129,"date":"2019-01-28T00:38:10","date_gmt":"2019-01-28T07:38:10","guid":{"rendered":"http:\/\/qualityofmercy.com\/wordpress\/?p=1129"},"modified":"2026-02-23T17:38:12","modified_gmt":"2026-02-24T00:38:12","slug":"everybody-dance-now","status":"publish","type":"post","link":"https:\/\/qualityofmercy.com\/blog\/2019\/01\/28\/everybody-dance-now\/","title":{"rendered":"Everybody Dance Now 1"},"content":{"rendered":"\n<p>The following is an initial meandering musing on dance: casual, staged, amateur, professional, choreographed, spontaneous, celebratory, liberatory.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Dance Music<\/h3>\n\n\n\n<p>Six years ago Pet Shop Boys issued their album <em>Electric<\/em> and I bought it for the cut &#8220;Love Is a&nbsp;Bourgeois Construct,&#8221; a sentiment I&#8217;d been voicing for some time. But&nbsp;I was more taken with the promo video for the more nuanced &#8220;Vocal.&#8221; Directed by photographer and filmmaker Joost Vandebrug, it is <a href=\"http:\/\/petshopboys.co.uk\/news\/2013-06-18\/vocal-video\">compiled<\/a> from amateur video shot at British late-\u201980s raves as well as Manchester&#8217;s Ha\u00e7ienda club. Given the visuals, the song suggests a nostalgic number, but the singer is surprised: &#8220;Every track has a vocal\/ and that makes a change.&#8221; The music\u2014\u201cExpressing passion\/ Expressing pain\u201d\u2014is the glue that binds its listeners as well as the promo&#8217;s dancers. It can be seen as a tone-poem-take on the experiences of ecstasy, a drug of choice at the time.<\/p>\n\n\n\n<p>In the milieu of the multitudes, Vandebrug&#8217;s choices convey not only that E-intimacy but also a heterogeneity\u2014racial, sensual, presentational, more.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pet Shop Boys - Vocal\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/qNR8gQAoYCs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>The &#8220;Vocal\u201d visuals only hint at what was taking place across the pond in the waning \u201980s, as do those for Madonna&#8217;s promo for &#8220;Vogue&#8221; (1990), which is an oddly literal (mm\u2026 periodical) treatment, a recreation of classic West Coast film and fashion photography, even as her choreography, by Karole Armitage, was a lite\u2014and largely synchronized\u2014version of East Coast ballroom moves (at least in the <a href=\"https:\/\/youtu.be\/GuJQSAiODqI\">five-minute<\/a> cut).<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>Last fall when we subscribed to Netflix briefly I was told by a friend in L.A. about all the available drag etc features and series, like <em>Pose<\/em>, but I also noticed a famous vintage documentary I hadn\u2019t seen upon its release (or since),&nbsp;<em>Paris is Burning<\/em>, centering on New York&#8217;s ballroom scene of 1990. I told my friend I remember watching a family-friendly short on the same subject that same year, Diane Martel&#8217;s <em>House of Tr\u00e9s<\/em>. As a record collector myself I could appreciate Martel&#8217;s lead-off:&nbsp;Deee-Lite&#8217;s Supa DJ Dmitry browsing through his vinyl. He easily could have pulled out &#8220;Jam Hot&#8221; (1983) by Johnny Dynell, who appears&nbsp;at 0:30 and 5:11, and who started his recording\/DJ\/nightclub\/etc career at the Mudd Club. Martel documents the walks, of course, but also shoots motion portraits \u00e0 la Avedon\/Longo, again with diverse genders, body types. (A year later she choreographed R.E.M.&#8217;s &#8220;Shiny Happy People&#8221; and went on to direct promo videos for <a href=\"https:\/\/www.diane-martel.com\">everyone<\/a>.) Note the Freudian slip at 2:23 regarding the name of the Paradise Garage.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Diane Martel - House of Tres\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/7oKrNh3PZ7s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Twenty years earlier, <i>Soul Train<\/i> featured its &#8220;stroll,&#8221; which can be seen as a precursor to the balls&#8217; runway walk, but I\u2019ll bet it was symbiotic. Many of the moves are remarkably the same, as in this unofficial Daft Punk video.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Daft Punk - Lose Yourself to Dance\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/seL_BOkLeHM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>House of Tr\u00e9s<\/em> was broadcast midway through Twin Cities Public Television&#8217;s\u00a0<em>Alive from Off Center<\/em> series\u2014so poorly documented itself that some writers online can&#8217;t even agree on when it began and ended (roughly 1984 through 1996). Had you not seen its artists before, this would have been your introduction to Shirley Clarke, Charles Atlas,\u00a0Zbigniew Rybczynski, Trisha Brown, Michael Clark, Paul Taylor, Brothers Quay, Eric Bogosian, Ann Magnuson, Spaulding Gray, Robert Wilson, Meredith Monk, La La La Human Steps, Karole Armitage (!), and on and on. An AFOC compilation would be welcome, but likely impossible, given the burden of\u00a0obtaining rights from artists, directors, musicians, et al. The network&#8217;s website doesn&#8217;t even <a href=\"https:\/\/www.tpt.org\/?s=%22off+center%22\">reference<\/a> the series despite the life support <a href=\"https:\/\/walkerart.org\/magazine\/lauren-mackler-alive-from-off-center\">provided<\/a> by the Walker Art Center and the Walker&#8217;s 2014\u201315 limited\u00a0<a href=\"https:\/\/walkerart.org\/calendar\/2014\/alive-center\">retrospective<\/a>\u00a0as well as The Paley Center for Media&#8217;s <a href=\"https:\/\/www.paleycenter.org\/collection?advanced=1&amp;q=alive+from+off+center&amp;c=all&amp;f=all&amp;x=0&amp;y=0\">collection<\/a>\u00a0and the WGBH <a href=\"https:\/\/openvault.wgbh.org\/search?q=%22alive%20from%20off%20center%22#gbh\">Open Vault<\/a> (the Vault isn&#8217;t cooperating these days, but info and streams are <a href=\"https:\/\/americanarchive.org\/catalog?utf8=\u2713&amp;f%5Baccess_types%5D%5B%5D=online&amp;q=%22alive+from+off+center%22\">available<\/a> at a sibling site).<\/p>\n\n\n\n<p>The AFOC piece that followed <em>House of Tr\u00e9s<\/em> was Doug Elkins Dance Company&#8217;s&nbsp;<em>It Doesn&#8217;t Wait<\/em>. Viewing it again after many years I&#8217;m struck by two aspects. First, the electroacoustic score, provided by Bob Clarida (<em>Balbastre Transcript<\/em>,&nbsp;<em>Spy Music<\/em>, and <em>Cadille<\/em>) and Ken Walicki&#8217;s <em>Bad Dreams in Foreign Beds<\/em>. Clarida is hard to track down, but Walicki, who teaches at Cal State Fullerton, lists as influences: &#8220;Ligeti, Zorn, the Beatles, Led Zeppelin, vegetarianism, Public Enemy, Buddhism, Che Guevara, Duran Duran, and the Zapatista Revolution in Mexico.&#8221; His recent CD release, <a href=\"http:\/\/ravellorecords.com\/catalog\/rr7974\/\"><em>Cyberistan<\/em><\/a>, &#8220;conveys the effects of globalization and increasing dependency on technology.&#8221; The Elkins video&#8217;s extract from Malcolm X, &#8220;America has a serious problem,&#8221; in this context is contradictory: contemporary dancers, white to a fault, moving as though it were the most natural thing, almost as if tying up traffic, seemingly without a care, let alone a problem. (Later in his <a href=\"https:\/\/web.archive.org\/web\/20191024161417\/http:\/\/xroads.virginia.edu\/~public\/civilrights\/a0147.html\">speech<\/a> Malcolm X talks of how only when blacks fought back in Birmingham did Washington pay attention\u2014when &#8220;the black steamroller&#8221; was about to move to D.C. &#8220;It was the grass roots out in the streets.&#8221;)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Doug Elkins: It Doesn&#039;t Wait\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/bMub4YU4Y60?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><a id=\"rudy_perez\"><\/a>Second, I noticed a similarity between <em>It Doesn&#8217;t Wait<\/em> and&nbsp;dancer-choreographer Rudy Perez&#8217;s <em>District 1<\/em> (1973). Both use an urban landscape for a backdrop, with dancers in casual street clothes. Perez&#8217;s piece isn&#8217;t available online but the eight still images below show his dancers <em>interacting<\/em> with the location\u2014Boston&#8217;s City Hall\u2014as well as moving through it. The work was <a href=\"https:\/\/web.archive.org\/web\/20120602212114\/http:\/\/main.wgbh.org\/wgbh\/NTW\/FA\/TITLES\/District22.HTML\">well crafted<\/a>: &#8220;Using still photography, portapak equipment and a small crew, Perez was able to create a series of studies for the work, which were used to carefully plan shots during the production of the actual work.&#8221; Audio came from marching bands.<\/p>\n\n\n\n<div class=\"wp-block-jetpack-slideshow aligncenter\" data-autoplay=\"true\" data-delay=\"3\" data-effect=\"fade\" style=\"--aspect-ratio:calc(720 \/ 540)\"><div class=\"wp-block-jetpack-slideshow_container swiper\"><ul class=\"wp-block-jetpack-slideshow_swiper-wrapper swiper-wrapper\"><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"394\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1148\" data-id=\"1148\" data-aspect-ratio=\"720 \/ 540\" src=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h19m10s987.png?resize=525%2C394&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h19m10s987.png?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h19m10s987.png?resize=300%2C225&amp;ssl=1 300w\" sizes=\"(max-width: 525px) 100vw, 525px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"394\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1153\" data-id=\"1153\" data-aspect-ratio=\"720 \/ 540\" src=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-21-21h22m42s345.png?resize=525%2C394&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-21-21h22m42s345.png?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-21-21h22m42s345.png?resize=300%2C225&amp;ssl=1 300w\" sizes=\"(max-width: 525px) 100vw, 525px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"394\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1149\" data-id=\"1149\" data-aspect-ratio=\"720 \/ 540\" src=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h19m29s121.png?resize=525%2C394&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h19m29s121.png?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h19m29s121.png?resize=300%2C225&amp;ssl=1 300w\" sizes=\"(max-width: 525px) 100vw, 525px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"394\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1150\" data-id=\"1150\" data-aspect-ratio=\"720 \/ 540\" src=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h19m57s869.png?resize=525%2C394&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h19m57s869.png?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h19m57s869.png?resize=300%2C225&amp;ssl=1 300w\" sizes=\"(max-width: 525px) 100vw, 525px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"394\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1147\" data-id=\"1147\" data-aspect-ratio=\"720 \/ 540\" src=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h18m01s676.png?resize=525%2C394&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h18m01s676.png?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h18m01s676.png?resize=300%2C225&amp;ssl=1 300w\" sizes=\"(max-width: 525px) 100vw, 525px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"394\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1151\" data-id=\"1151\" data-aspect-ratio=\"720 \/ 540\" src=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h29m54s029.png?resize=525%2C394&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h29m54s029.png?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h29m54s029.png?resize=300%2C225&amp;ssl=1 300w\" sizes=\"(max-width: 525px) 100vw, 525px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"394\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1152\" data-id=\"1152\" data-aspect-ratio=\"720 \/ 540\" src=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h30m20s648.png?resize=525%2C394&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h30m20s648.png?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-22-09h30m20s648.png?resize=300%2C225&amp;ssl=1 300w\" sizes=\"(max-width: 525px) 100vw, 525px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"394\" alt=\"Stills from District 1\" class=\"wp-block-jetpack-slideshow_image wp-image-1154\" data-id=\"1154\" data-aspect-ratio=\"720 \/ 540\" src=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-21-22h04m29s929.png?resize=525%2C394&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-21-22h04m29s929.png?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/vlcsnap-2019-01-21-22h04m29s929.png?resize=300%2C225&amp;ssl=1 300w\" sizes=\"(max-width: 525px) 100vw, 525px\" \/><\/figure><\/li><\/ul><a class=\"wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white\" role=\"button\"><\/a><a class=\"wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white\" role=\"button\"><\/a><a aria-label=\"Pause Slideshow\" class=\"wp-block-jetpack-slideshow_button-pause\" role=\"button\"><\/a><div class=\"wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white\"><\/div><\/div><\/div>\n\n\n\n<p>In the early 1980s friends and I studied in Rudy\u2019s Art Moves workshop, involving artists of whichever stripe who wanted to incorporate movement into their own material. (Some of the workshop material\u2014and workshoppers\u2014wound up in his Performance Ensemble concerts.) Rob Berg and I also created scores for a couple of Rudy\u2019s pieces. Rudy is one of several maestros with whom I\u2019ve studied; I\u2019m dumbfounded and humbled at how our paths have crossed. As Lewis Segal remarks in the trailer below, Rudy walks a tightrope between dance and natural movement, which I find very attractive. Rudy embraced us: dancers, non-dancers, and he loved the <a href=\"https:\/\/qualityofmercy.com\/blog\/2019\/04\/01\/everybody-dance-now-2-adansual\/\">adansual<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Countdown: Reflections on a Life in Dance (Rudy Perez)\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/jJBE-1G-l6s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>And then there is choreographer Lloyd Newson and his company DV8&#8217;s collaboration on the Durutti Column video &#8220;When the World&#8221; (1988). Again, the cityscape is the stage. The movement is brutal, but not much has changed in thirty years.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Durutti Column - When the World\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/5OQnh9xKxzw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Music Dance<\/h3>\n\n\n\n<p>From its inception the music promo video has incorporated choreography, as demonstrated by MTV&#8217;s <a href=\"https:\/\/en.wikipedia.org\/wiki\/MTV_Video_Music_Award_for_Best_Dance_Video\">dance awards<\/a>, beginning in 1989. With singer-songwriter Will Young&#8217;s &#8220;Thank You&#8221; (2015) I&#8217;m reminded of the stylized naturalism of Rudy Perez\u2014and Doug Elkins. In the video, clients of all sorts in a typical but spacious old-world Turkish bath are compelled to move, even to create a Busby Berkeley-esque routine. They are spellbound, not performing. The choreography, appropriately enough, is by Parisian duo I COULD NEVER BE A DANCER.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Will Young - Thank You\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/IM55uhQ410c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>And then there&#8217;s another &#8220;Thank You,&#8221; by Voice Farm with standard strutting by Oblong Rhonda, from a 1991 show I was lucky enough to take in at the Roxy in L.A.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Voice Farm - Thank You Live\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/FzGIPlFJ6NE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>I was first introduced to Will Young by his promo for &#8220;I Just Want a Lover&#8221; (2012) in which an alienated worker becomes rapt in revery: an amusing pas de deux. Choreography by Lorena Randi.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Will Young - I Just Want a Lover\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/tzFpF8xWVtQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Young&#8217;s punch line above reminds me of Gregg Araki&#8217;s promo for the Micronauts&#8217; &#8220;The Jag&#8221; (1999) but in this case the protagonist is an alienated patron. Choreographer unknown (Araki?), but the lyrics are lifted from the Goffin\/King\/Wexler chestnut &#8220;(You Make Me Feel Like) A Natural Woman&#8221; and its vocal from the <a href=\"https:\/\/youtu.be\/o5D5RW2pRvo\">version<\/a> by Joyce Sims.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Micronauts - The Jag [Official Video - New HQ Upload]\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/g34meB-rst8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Alienated patron\u2014and worker\u2014intersect in Moonchild&#8217;s &#8220;The List&#8221; (2017). Choreographer:&nbsp;Cristina McKeever.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Moonchild - &quot;The List&quot; (Official Video)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/1eDvtvdoxJE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Below, in &#8220;Still Feel&#8221; (2018), the band half\u2022alive takes the viewer to a vaguely corporate\/convention setting, with choreography by the JA Collective. Next, in &#8220;Losing Myself&#8221; (2012) Will Young and four alter egos prepare uneasily for the daily grind with superb synchronization (dig the French presses). For that, choreographer Aletta Collins won a UK Music Video Award, beating&nbsp;Richy Greenfield &amp; Petro the same year for&nbsp;the late Avicii&#8217;s &#8220;Levels&#8221; in which an office worker takes the elevator up only to break down.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"half\u2022alive - still feel. [OFFICIAL VIDEO]\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/KOOhPfMbuIQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Will Young - Losing Myself (Video)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/c19BbGGJU5E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Avicii - Levels\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/_ovdm2yX4MA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"knee\">Knee, Sugar, Hammer, Shame<\/h3>\n\n\n\n<p>A week after <em>House of Tr\u00e9s<\/em> and <em>It Doesn&#8217;t Wait<\/em> aired, <em>Alive from Off Center<\/em> presented five videos from different countries under the title <em>Music Transfer<\/em>. The piece from Germany, by Klaus Blume, is <em>Kneeplay<\/em> (<em>Kniespiel<\/em>), and it uses what I call a sort of cin\u00e9ma-musique-concr\u00e8te treatment (\u00e0 la <a href=\"https:\/\/qualityofmercy.com\/blog\/2019\/01\/05\/chef-boy-ar-dee-and-the-red-diaper-baby\/\">Jon Appleton<\/a>) of traditional Bavarian <em>Schuhplattler<\/em> dance. (Not to be confused with Robert Wilson&#8217;s &#8220;<a href=\"https:\/\/youtu.be\/Bo0Huep1o_8\">Knee Plays<\/a>\u201d\u2014i.e. intermezzos for various operas\u2014, which involve movement.) The same video (not audio) technique is employed in last year&#8217;s Chaka Khan promo for &#8220;Like Sugar,&#8221; featuring choreography by&nbsp;Olivier Casamayou (and <a href=\"https:\/\/youtu.be\/8MmRJCpVPwo\">bassline<\/a> by Fatback Band).<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LEDERHOSEN REMIX\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/C9iizDD2BYA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Chaka Khan - Like Sugar (Official Video)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/RecY5iZn6B0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Following <em>Kneeplay<\/em> was the piece from USA, <em>Hammer<\/em>, by fine artist Matt Mahurin whose images I first became acquainted with in the op-ed pages of the <em>Los Angeles Times<\/em>. These moving images become balletic even as they record the work lives of their subjects. (Music by James Turner, Diana Turner, Darroll &#8220;Shamello&#8221; Durant, and Eric &#8220;Vietnam&#8221; Sadler.)<\/p>\n\n\n<p><iframe loading=\"lazy\" title=\"Matt Mahurin: Hammer\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/LdinGWDU9TM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n\n\n\n<p>This &#8220;hammer song&#8221;\u2014of the sort that Lead Belly <a href=\"https:\/\/youtu.be\/OCCuQqj8zi0\">popularized<\/a> (becoming the title of the 1963 James Baldwin <a href=\"https:\/\/youtu.be\/xW4Zgf0VqsE?si=9yusNs9Udwbm10KE\">documentary<\/a>)\u2014begins with familiarity: &#8220;Take this hammer and carry it to the captain.&#8221; But it turns defiant: &#8220;Tell him before I&#8217;ll be a slave I&#8217;ll be buried in my grave.&#8221; And then: &#8220;Take this hammer, captain!&#8221; Followed by Shamello&#8217;s rapping riff on the original.<\/p>\n\n\n\n<p>Young Fathers&#8217; &#8220;Shame&#8221; is defiant, too, but in a claustrophobic way, even as it is shot outdoors. Choreography by Holly Blakey. Dancer is Joshua Hubbard, himself a choreographer.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Young Fathers - &#039;SHAME&#039; (Official Video)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/2PdYvkaYsaU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-right\"><a href=\"https:\/\/qualityofmercy.com\/blog\/2019\/04\/01\/everybody-dance-now-2-adansual\/\">Part 2: Adansual<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>An initial meandering musing on dance: casual, staged, amateur, professional, choreographed, spontaneous, celebratory, liberatory.<\/p>\n","protected":false},"author":2,"featured_media":1217,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[214,33,36],"tags":[248,219,249,224,222,256,243,217,220,227,228,240,244,260,263,216,233,236,221,246,264,223,252,253,254,250,257,230,237,247,225,259,238,241,235,258,215,251,388,226,255,262,218,245,232,239,242,234,229,231,261],"class_list":["post-1129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dance","category-music","category-video","tag-aletta-collins","tag-alive-from-off-center","tag-avicii","tag-bad-dreams-in-foreign-beds","tag-bob-clarida","tag-chaka-khan","tag-cristina-mckeever","tag-diane-martel","tag-doug-elkins","tag-durutti-column","tag-dv8","tag-gregg-araki","tag-halfalive","tag-hammer","tag-holly-blakey","tag-house-of-tres","tag-i-could-never-be-a-dancer","tag-i-just-want-a-lover","tag-it-doesnt-wait","tag-ja-collective","tag-joshua-hubbard","tag-ken-walicki","tag-klaus-blume","tag-kneeplay","tag-kniespiel","tag-levels","tag-like-sugar","tag-lloyd-newson","tag-lorena-randi","tag-losing-myself","tag-malcolm-x","tag-matt-mahurin","tag-micronauts","tag-moonchild","tag-oblong-rhonda","tag-olivier-casamayou","tag-pet-shop-boys","tag-richy-greenfield-petro","tag-rob-berg","tag-rudy-perez","tag-schuplattler","tag-shame","tag-soul-train","tag-still-feel","tag-thank-you","tag-the-jag","tag-the-list","tag-voice-farm","tag-when-the-world","tag-will-young","tag-young-fathers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/qualityofmercy.com\/blog\/wp-content\/uploads\/2019\/01\/house_of_tres2.jpg?fit=1421%2C1080&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paF2cn-id","_links":{"self":[{"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/posts\/1129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/comments?post=1129"}],"version-history":[{"count":18,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/posts\/1129\/revisions"}],"predecessor-version":[{"id":10879,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/posts\/1129\/revisions\/10879"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/media\/1217"}],"wp:attachment":[{"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/media?parent=1129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/categories?post=1129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/qualityofmercy.com\/blog\/wp-json\/wp\/v2\/tags?post=1129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}