Ways of the Cross

Yucca Plant image

Sometime in the winter of 1995/96 my friend and mentor Milania Austin Henley turned me on to the artwork of Michael Schrauzer who, like Milania, was associated with St. Andrew’s Abbey, a Benedictine Monastery at Valyermo. It was through the “Journal of the Arts and Religion” called Image. Schrauzer’s work is formal, often housed in rich cabinets, yet inviting, contemplative. The Annunciation consists not of cabinetry but of interlocking frames: a gilt T—the last letter in the Hebrew alphabet1—foreshadows the Cross; its setting sun smolders in the base of the letter’s upright, bisecting a white rose. It is almost cruel in its “truth, perfection, completion.” It’s the obverse of Oscar Wilde, who describes his wonder at the, well, banality of this consequential moment.

Ave Maria Gratia Plena

Was this His coming! I had hoped to see
A scene of wondrous glory, as was told
Of some great God who in a rain of gold
Broke open bars and fell on Danae:
Or a dread vision as when Semele
Sickening for love and unappeased desire
Prayed to see God’s clear body, and the fire
Caught her brown limbs and slew her utterly:
With such glad dreams I sought this holy place,
And now with wondering eyes and heart I stand
Before this supreme mystery of Love:
Some kneeling girl with passionless pale face,
An angel with a lily in his hand,
And over both the white wings of a Dove.

— Oscar Wilde, Vatican Gallery, Rome, 1877

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Oh, Equality, up yours!

—with apologies to Poly Styrene

Eleven years ago, the Against Equality (AE) collective published a compilation of its three anthologies, critical of myopic topics of “gay pride.”2 As writers for AE note in the collection’s introduction, the day before SCOTUS trashed the Defense of Marriage Act (the ban on gay marriage signed by Bill Clinton) and California’s Prop 8 (the people’s ban on gay marriage), in 2013, the Justices had trashed the 1965 Voting Rights Act.

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Dread Rhyme: Womb, Tomb

Andrei Rublev still image

Many years ago my friend and mentor Milania Austin Henley shared with me a poem written by her friend Claudette Drennan Kane upon the death of her son in 1993. Last year, in this season—liturgical, historical—I was drawn to it again. At that time I contacted Claudette’s husband Robert Hilary Kane, without a reply. I recently learned that three weeks later he had died. (My attempt to reach their surviving son has failed. I of course will remove this post upon request.)

Every mother’s faith is pummelled by the death of a child, and this moment in time, like too many others, causes us consciousness. As Claudette writes, we witnesses die too.

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Hey Judas

Murray Head video still

With some liturgical precision, YouTube pushed my way the following video featuring musician Murray Head, hosted by David Frost on November 15, 1969.3 Head had taken the role of Judas Iscariot on the concept album of Jesus Christ Superstar, written by Andrew Lloyd Webber and Tim Rice, who already had gotten their pop cantata-turned-musical Joseph and the Amazing Technicolor Dreamcoat under their belt. On Frost’s show Head saunters in sporting a svelte swimmer’s physique not quite concealed beneath a sheer chiffon chemise. There’s an unsettling tension between surface and substance in this presentation: muted tones in living color, crosses replaced by jagged Y’s forming an ebony crown of thorns.

In Superstar, Judas famously takes lead billing over Jesus (in order of appearance) in a retelling of the Passion, casting Christ as man and superman. In the opera Judas begins and ends—here, beyond the grave—as the conscience of the incautious up-and-comer Jesus.

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Heavy Inauguration Rotation

Vinyl Discs image

A few days ago, while cleaning up dead links on this blog, I ran across something included in my 2019 post Vaneigem and Bubblegum, which discusses matters musical, political, and spiritual. “Art on 45” is the lead track on a 1982 vinyl 12” EP called Art • Dream • Dominion by The Royal Family and the Poor. It appears to take its name from Stars on 45, a Dutch act that legitimized what had been a bootleg: a stringing together of popular songs to a disco beat.

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Sor Juana: Inquisitional minds want to know

Film still image

I have Octavio Paz’s acclaimed biography of Sor Juana Inés de la Cruz on my shelves, but I never read it. I saw the 1990 film adaptation—if one can compress a 547-page tome into a 105-minute film.4 The IMDB précis is precise:

A 17th-century Mexican nun defies expectations, becoming a renowned intellectual and writer during the Spanish Inquisition. Her progressive ideas attract unwanted attention, forcing her to seek protection from an influential ally.

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Exhuming Joe Hill

Trump, O'Donnell and Klasfeld photo

By now viewers of MSNBC surely are familiar with reporter Adam Klasfeld who currently is attending the Manhattan trial of Donald Trump. You may not know that Klasfeld holds a B.A. in Theatre Arts from Rutgers and studied in London with Richard Digby Day (who “is credited with discovering actors Ralph Fiennes and Hugh Grant”5). Klasfeld is the author of a number of plays as well as artistic director of the theater company One Armed Man.6

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