Exhuming Joe Hill

Trump, O'Donnell and Klasfeld photo

By now viewers of MSNBC surely are familiar with reporter Adam Klasfeld who currently is attending the Manhattan trial of Donald Trump. You may not know that Klasfeld holds a B.A. in Theatre Arts from Rutgers and studied in London with Richard Digby Day (who “is credited with discovering actors Ralph Fiennes and Hugh Grant”1). Klasfeld is the author of a number of plays as well as artistic director of the theater company One Armed Man.2

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There are Redactions and… Redactions

FBI Seal

Today the Department of Justice will submit proposed redactions to the affidavit in support of the search warrant issued for the, well…, search of Donald Trump’s Florida estate in, well…, search of documents that should have been deposited with the National Archives upon Trump’s departure from the White House in early 2021. What could those redactions conceal or reveal? is the question on everyone’s mind.

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Gang of Four Part 1: Natural’s Not In It

Gang Of Four photo image

Last month I saw Gang of Four for the third time.

1980

The first was at a small club, probably their show at the Starwood in West Hollywood, capacity 400–800, May of 1980. Earlier that same year, the band had opened for the Buzzcocks and later, Iggy Pop, both at the much larger Santa Monica Civic. But those garnered lousy reviews by the Los Angeles Times, the first due to bad sound, the second to fatigue. The Civic could put a lot of distance between the stage and the floor. And it ostensibly seated 3,000, but when I saw the Clash there, the seats were replaced by metal plates; when we bounced, so did they—and there were a lot more than 3,000 bouncing.

Obviously that Starwood show in 1980 featured the band’s original lineup: Hugo Burnham on drums, Dave Allen bass, Andy Gill guitar, and Jon King vocals. It was riveting. The stage was small enough to bridge the Civic’s divide, but broad enough to allow Jon King his signature sprints between microphones. If King was a gazelle, Gill was a beast of prey, exactly as described by poet Ted Hughes in his “Second Glance at Jaguar”: “He coils, he flourishes/ The blackjack tail as if looking for a target.”

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