Came In from the Cold: Mitchell @ Newport

I often am disappointed viewing pop concert videos shot from the audience. Bad sound, bad visuals, bad time. So when my old friend David Moreno asked if I’d heard that Joni Mitchell played Woodst—er—Newport on Sunday I was happy for her, but after hearing audio at the tail end of an NPR segment on Monday I thought I’d wait for the movie. Tonight YouTube as usual pushed Mitchell my way and I bit.

The following playlist is out of order; the artist enters on Brandi Carlile’s stage on track 3, with “Carey’s” original twang: dulcimer, my instrument in high school. I was snagged. The, mm…, videographer can be forgiven any less-than-perfections as can the somewhat ad hoc feel. There are some treats.

https://youtube.com/playlist?list=PL0BeklUKtNetLNqVKUlkYlG4dj0iOfOcj

Gang of Four Part 2: I Found That Essence Rare

Mekons Quality Of Mercy

We’ve all got opinions
Where do they come from?

— “Why Theory?”

Reading Jim Dooley’s invaluable Red Set: A History of Gang of Four1 last year I was fascinated with how some of the philosophical underpinnings of the band’s songs mirrored what I’ve been dealing with in writing materials with comrades in a labor group. What follows is not a review of Dooley’s book, but rather a commentary on the mirrored passages and also, to a much lesser degree, remarks on my exposure to theoretical thought through pop music (of all things). This post is based on the notes I took at my first (and only) full reading, and is not a comprehensive look at Gang of Four reasoning. Continue reading “Gang of Four Part 2: I Found That Essence Rare”