The following is an initial meandering musing on dance: casual, staged, amateur, professional, choreographed, spontaneous, celebratory, liberatory.
Six years ago Pet Shop Boys issued their album Electric and I bought it for the cut “Love Is a Bourgeois Construct,” a sentiment I’d been voicing for some time. But I was more taken with the promo video for the more nuanced “Vocal.” Directed by photographer and filmmaker Joost Vandebrug, it is compiled from amateur video shot at British late-’80s raves as well as Manchester’s Haçienda club. Given the visuals, the song suggests a nostalgic number, but the singer is surprised: “Every track has a vocal/ and that makes a change.” The music—“Expressing passion/ Expressing pain”—is the glue that binds its listeners as well as the promo’s dancers. It can be seen as a tone-poem-take on the experiences of ecstasy, a drug of choice at the time.
In the milieu of the multitudes, Vandebrug’s choices convey not only that E-intimacy but also a heterogeneity—racial, sensual, presentational, more.
The “Vocal” visuals only hint at what was taking place across the pond in the waning ’80s, as do those for Madonna’s promo for “Vogue” (1990), which is an oddly literal (mm… periodical) treatment, a recreation of classic West Coast film and fashion photography, even as her choreography, by Karole Armitage, was a lite—and largely synchronized—version of East Coast ballroom moves (at least in the five-minute cut). Continue reading “Everybody Dance Now 1”