This is a second conversation with dancer-choreographer Rudy Perez, taking place last month on May 30. During our review of Part 1 Rudy raised a few topics that I wanted to pursue. And, of course, there had been the murder of George Floyd on Memorial Day, and the reactions from coast to coast.
What follows has been lightly edited for clarity. Many thanks to Susan Perry Miick for her help with photographs. Continue reading “Portrait of Rudy Perez 2: Remain in Light”
Last year, in Everybody Dance Now 1, I reminisced about studying with dancer-choreographer Rudy Perez in the early 1980s. Nearly four decades later Rudy agreed to let me interview him a week ago, on May 13. What follows has been lightly edited for clarity.
We begin where I left off in that prior post. Continue reading “Portrait of Rudy Perez”
In the fall of 1970 I enrolled my stepdaughter in Summerhill Day School, which was run by Oliver Haskell, who I profiled in Part 1 with research help from my husband David Hughes. (See Part 1 also for how I came across the school in the first place.) If you’re confused by the Summerhill name, so was I at first. It wasn’t a name Ollie chose himself. We’ll get to that after some more about what led to the school’s founding. Continue reading “Summerhill 2: The Day School”
In November I spoke with my niece and told her I’ve been telling my stories here. She immediately responded, “Write about Summerhill.” So I will. Continue reading “Summerhill 1: Ollie Haskell”