Hey Judas

Murray Head video still

With some liturgical precision, YouTube pushed my way the following video featuring musician Murray Head, hosted by David Frost on November 15, 1969.1 Head had taken the role of Judas Iscariot on the concept album of Jesus Christ Superstar, written by Andrew Lloyd Webber and Tim Rice, who already had gotten their pop cantata-turned-musical Joseph and the Amazing Technicolor Dreamcoat under their belt. On Frost’s show Head saunters in sporting a svelte swimmer’s physique not quite concealed beneath a sheer chiffon chemise. There’s an unsettling tension between surface and substance in this presentation: muted tones in living color, crosses replaced by jagged Y’s forming an ebony crown of thorns.

In Superstar, Judas famously takes lead billing over Jesus (in order of appearance) in a retelling of the Passion, casting Christ as man and superman. In the opera Judas begins and ends—here, beyond the grave—as the conscience of the incautious up-and-comer Jesus.

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A Taste of Honeycombs

Big Beat Scene Programme

Five years ago this month I posted a lengthy review of Martin Aston’s encyclopedic Breaking Down the Walls of Heartache: How Music Came Out.2 Last week one of Aston’s subjects came to life as it was pushed my way courtesy of YouTube: 1964’s “Have I the Right?” by the Honeycombs. Lyrically it’s reminiscent of Sixties songs that became gay and lesbian bar hymns. Think Sinatra’s “Strangers In the Night” (1966), Bobby Darin’s version of “My Buddy” (1962), Connie Francis’s “Where the Boys Are” (1961). Such songs were appropriated by this social set, but its membership included a few of the hymnists as well.

I couldn’t recall why I knew the Honeycombs’ music until I found that these clips come from Top Gear (1965) aka Go Go Mania (US), which I taped from cable years ago. It’s available for viewing, gratis, via Kanopy.
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Le plus grand zombie is US

Zombie wallpaper

Pardon merci, je suis le grand zombie
I’m just not human tonight

— Mekons, “Big Zombie”

I haven’t thought about anthropologist Wade Davis much since his 1985 nonfiction book The Serpent and the Rainbow was turned into what I thought was an icky film by Wes Craven in 1988.3 In L.A. I had a habit of picking up review copies and other first editions at Cosmopolitan Book Shop, where I got Davis’s book. I always had good luck there. Continue reading “Le plus grand zombie is US”

Seeing Things

This Liberty still image

This past summer in Cheyenne my uncle Richard Hughes told me of his hallucinations. That a man going blind might also view visions seems an insult to injury. Yet his condition has a name—Charles Bonnet syndrome—after an eighteenth-century Swiss naturalist and philosopher. As profiled in ACNR (Vol. 8, No. 5, 19) Bonnet first listed his grandfather’s

silent visions of men, women, birds, carriages, and buildings, which he fully realised were ‘fictions’ of his brain. Bonnet himself later underwent visual deterioration and experienced hallucinations typical of the syndrome named after him […].

(Compare with “Blinky” Watts, the sound effects technician character from David Lynch’s short-lived TV series On the Air, who suffers from Bozeman’s Simplex, which causes him to see “25.62 times as much as we do.”)

Six months prior I came across a song by Richard Dawson, which I wanted to write about tonight only to find that he too sees things (due to a genetic defect), but through a glass darkly, as Dawson told The Guardian‘s Michael Hann, who remarked, “There’s an almost hallucinatory clarity to his writing.” Continue reading “Seeing Things”