Most of our readers will know why I haven’t posted here for two months. In preparing for Portrait of Rudy Perez 2: Remain in Light in June, my musical partner Rob Berg and I dusted off music we hadn’t visited in decades. Continue reading “Bachelors Anonymous”
This is a second conversation with dancer-choreographer Rudy Perez, taking place last month on May 30. During our review of Part 1 Rudy raised a few topics that I wanted to pursue. And, of course, there had been the murder of George Floyd on Memorial Day, and the reactions from coast to coast.
What follows has been lightly edited for clarity. Many thanks to Susan Perry Miick for her help with photographs. Continue reading “Portrait of Rudy Perez 2: Remain in Light”
1952 was a watershed year for the Mattachine. The organization had begun its engagement with the larger community by standing in solidarity with Mexican Americans who, like homosexuals, were targets of the Los Angeles Police Department. With the arrest of its cofounder Dale Jennings in March of that year, the Mattachine had a test case of its own to rally ’round, but in that effort the group turned inward rather than outward. I examine this dynamic in the first of three articles, “Harry Hay Meets His Match.” I also look toward the remarkable woman Hay met along the way.
The gamble to back Jennings paid off. His superb legal representation—bankrolled by Mattachine fundraising—resulted in a hung jury, allowing the organization to capitalize on an impossible dream: an admittedly homosexual man beating a charge of lewd vagrancy. “Blown Cover: The Arrest of Dale Jennings” reviews some of the particulars of the case, including the identity of his arresting officers. I also examine LAPD’s liberal employment of the lewd vagrancy allegation as well as its use of a tactic known as the “third degree” and brutalization in general.
In the fall of 1952, emboldened by Jennings’ success in court, the Mattachine once again turned its gaze outward, this time to civic leaders and local candidates for office. The vehicle of outreach was a brief survey known to have been completed by only three or four respondents, but when it came to the attention of a local newspaper columnist, the concerns he voiced about the Mattachine turned out to reflect those already in the minds of its members, as discussed in “Queer Questionnaire and Coates Column.”
The above three articles are adapted from my work-in-progress with the working title The Feeble Strength of One: Bob Hull, Chuck Rowland, Maxey, Marx and the Mattachine. Because their length likely would prevent their eventual publication as-is, I offer them via The Tangent Group.
Chuck Rowland was a founding member of the Mattachine Society. He was active with ONE Inc. and founded the short-lived Church of One Brotherhood. Upon retiring from twenty years of teaching in 1982, Rowland founded Celebration Theatre in Los Angeles.
This is a brief profile of Rowland is published via The Tangent Group.
Bob Hull (above center with fedora) was a founding member of the Mattachine Society in Los Angeles with Harry Hay, Chuck Rowland, Dale Jennings, and Rudi Gernreich. Mattachine set the stage for the gay liberation activism of the 1960s and 1970s, but because of his suicide in 1962, Hull wouldn’t see the movements, marches, and militancy that would soon follow.
This brief profile of Hull is published via The Tangent Group.