An instance of years-ago seeming yester-day. My recently departed comrade, Lowell May, in a fortunate instance of synchronicity, on September 12, 2011 forwarded a snippet of Karl Marx just two months after musician Brian Eno had issued his collaboration with poet Rick Holland, Drums Between the Bells (and six days before Occupy Wall Street). What Lowell sent was a blog post of the same date by one N Pepperell, lecturer at an unnamed university in Melbourne, who felt the quotation from Marx “is on point for the sorts of reading strategies I apply to his style in Capital.” The language of this relatively obscure open letter, published twenty-four years before Capital, when Marx was 23, abstractly mirrors that of Holland’s words atop Eno’s soundtrack. Continue reading “Marx and Eno”
We’ve all got opinions
Where do they come from?
— “Why Theory?”
Reading Jim Dooley’s invaluable Red Set: A History of Gang of Four1 last year I was fascinated with how some of the philosophical underpinnings of the band’s songs mirrored what I’ve been dealing with in writing materials with comrades in a labor group. What follows is not a review of Dooley’s book, but rather a commentary on the mirrored passages and also, to a much lesser degree, remarks on my exposure to theoretical thought through pop music (of all things). This post is based on the notes I took at my first (and only) full reading, and is not a comprehensive look at Gang of Four reasoning. Continue reading “Gang of Four Part 2: I Found That Essence Rare”