Le plus grand zombie is US

Zombie wallpaper

Pardon merci, je suis le grand zombie
I’m just not human tonight

— Mekons, “Big Zombie”

I haven’t thought about anthropologist Wade Davis much since his 1985 nonfiction book The Serpent and the Rainbow was turned into what I thought was an icky film by Wes Craven in 1988.1

In L.A. I had a habit of picking up review copies and other first editions at Cosmopolitan Book Shop, where I got Davis’s book. I always had good luck there.

In his book Davis recounts his attempt to see if zombification in Haitian Vodou had a pharmacological component. I remember his tale being akin to Terence McKenna’s Food of the Gods, published seven years later, taking the reader on a similar, esoteric journey regarding psychedelics.2

So, on my birthday, last Monday, Wade Davis shows up on of all things, Christiane Amanpour’s PBS show. And he ain’t talking zombies. But perhaps he is. He was tapped because of an August 6 Rolling Stone article that went viral:

A sampling from that article…

    • In a dark season of pestilence, COVID has reduced to tatters the illusion of American exceptionalism.
    • More than any other country, the United States in the post-war era lionized the individual at the expense of community and family. It was the sociological equivalent of splitting the atom.
    • In truth, at least in economic terms, the country of the 1950s resembled Denmark as much as the America of today. Marginal tax rates for the wealthy were 90 percent.

(Hmm… Maybe there is something to that MAGA hashtag.)

And then there is this:

The United States, virtually a demilitarized nation on the eve of the Second World War, never stood down in the wake of victory. To this day, American troops are deployed in 150 countries. Since the 1970s, China has not once gone to war; the U.S. has not spent a day at peace.

In essence, the U.S. has kept alive its corpse—once decimated by Depression, animated by WWII animus—only to be eviscerated by a military-industrial-congressional complex that planted “defense” plants in every district to insure an economic survival more akin to aspartame than, say, agave.

On July 23, two weeks before Davis published his article, Prof. Richard D. Wolff posted “Why a Cold War Against China?” in which he explains how the U.S. needs enemies to justify an insatiable military.

Predictably Wolff invokes Eisenhower, who warned us about the “conjunction” of arms manufacturers and arms consumers in his farewell address of January 17, 1961. What’s less remembered is that Eisenhower also said, “Those who have freedom will understand, also, its heavy responsibility,” which left open the United States’ exceptional place in the world. That responsibility, despite Eisenhower’s caveats, meant—and means—arming ourselves and our allies to the teeth rather than cultivating endeavors involved with life rather than death: education, health care, the arts—not to mention sustenance itself.

Three days later Wolff said “our economic system is on life support.”

And then last Friday Wolff published an article in which he discusses the Chinese economic model.

Rising labour productivity yielded rising average real wages (also rising far faster than in the West). Across these years, no Chinese troops fought in any foreign wars. Housing, education, health care, and transportation received massive investments; their supplies often grew ahead of Chinese demand for them.3

All of this is Economics 101.

Then on Sunday David Cay Johnston’s DCReport posted the following appeal:

But what about the tyranny of the military and its stranglehold over whichever choice you choose?

Vote? That’s something the walking, living dead do.

Notes

Islands Past: Future Islands’ “Thrill”

Future Islands "Thrill" still

I remember seeing the band Future Islands on a late night show, except that I rarely watch network television. It must have been their “Seasons (Waiting On You)” from Letterman’s Late Show in 2014 before Colbert took over. I thought, “Joe Cocker lives.” And I swear I recall telling my wife Andrea about lead singer Sam Herring: “He looks like he’s about to pee his pants.” That was then.

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Dreaming California: The Life of Jim Foshee

Jim Foshee Headstone

Not long ago I was asked to vet a request for use of photos that appeared in my writings at The Tangent Group. The reprint request was from Robert C. Steele for his book Banned from California. Curious about the book, I did a halfhearted web search and didn’t find it. Days later my friend Jerry Gerash told me he was sending me a book about Jim Foshee. “You know who he was, don’t you?” he asked. “Of course,” I said. I know who Jim Fouratt is.

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Everybody Dance Now 4: Time/Travel

I'm Not OK video still

This fourth edition of Everybody Dance Now involves travel in space and time, beginning with a short from Arizona filmmaker and photographer Harrison J. Bahe of Navajo Joe Films. “Xibalba” comes from the soundtrack of The Fountain (2006) composed by Clint Mansell, which also accompanies Bahe’s film. Xibalba is the Mayan underworld, which figures in The Fountain, a once-and-future picture that weaves together Mayan and Hebrew mythology, featuring a Spanish conquistador astoundingly being recognized by a native priest as the First Father, the life source.4

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Portrait of Rudy Perez 2: Remain in Light

Circadian Circle photos

This is a second conversation with dancer-choreographer Rudy Perez, taking place last month on May 30. During our review of Part 1 Rudy raised a few topics that I wanted to pursue. And, of course, there had been the murder of George Floyd on Memorial Day, and the reactions from coast to coast.

What follows has been lightly edited for clarity. Many thanks to Susan Perry Miick for her help with photographs.

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“Out of the schools and into the streets”

1972 Demo still

On Sunday afternoon a comrade in the effort to change the name of our neighborhood posted the following regarding George Floyd and so many others:

For those of you with kids, I thought you might want to know about this peaceful protest happening at Central Park on June 6th 9:00am

Not knowing the neighbor who organized this protest, I thought the image that accompanied the announcement was a little tone deaf.

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