81 Days, 81 Years

Last year I wrote that I might wait a few months before listening to John K. Samson’s last two songs in his serial of the cat named Virtute. I finally bought the album containing them, Winter Wheat. I didn’t cry, tho’ I should have. “Virtute at Rest,” ambiguously, maintains the cat’s nagging, I swear you can do it, while the human marks the 21st day at the “17th Street Treatment Centre.”

Like I said, I should have cried because today is my own 81st day drinking nearly nothing, sans treatment, centre or self-help, and I’m not white knuckling. On May 21 I had a pivotal CT scan that, unlike previous borderline liver scans, nudged me to regroup. Like a cocktail, the scan was the sum of its parts: ostensibly requisitioned for a kidney stone but with seven further findings. I’m haunted by what a listener said about Virtute, quoted in my comment: “This song series might have saved my life, more than once, over the last two decades.” It didn’t save mine, because I heard only half its parts until today, but, as the commenter says, it “might have” or, rather for me, “still might.”

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Hey Judas

Murray Head video still

With some liturgical precision, YouTube pushed my way the following video featuring musician Murray Head, hosted by David Frost on November 15, 1969.1 Head had taken the role of Judas Iscariot on the concept album of Jesus Christ Superstar, written by Andrew Lloyd Webber and Tim Rice, who already had gotten their pop cantata-turned-musical Joseph and the Amazing Technicolor Dreamcoat under their belt. On Frost’s show Head saunters in sporting a svelte swimmer’s physique not quite concealed beneath a sheer chiffon chemise. There’s an unsettling tension between surface and substance in this presentation: muted tones in living color, crosses replaced by jagged Y’s forming an ebony crown of thorns.

In Superstar, Judas famously takes lead billing over Jesus (in order of appearance) in a retelling of the Passion, casting Christ as man and superman. In the opera Judas begins and ends—here, beyond the grave—as the conscience of the incautious up-and-comer Jesus.

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Exhuming Joe Hill

Trump, O'Donnell and Klasfeld photo

By now viewers of MSNBC surely are familiar with reporter Adam Klasfeld who currently is attending the Manhattan trial of Donald Trump. You may not know that Klasfeld holds a B.A. in Theatre Arts from Rutgers and studied in London with Richard Digby Day (who “is credited with discovering actors Ralph Fiennes and Hugh Grant”2). Klasfeld is the author of a number of plays as well as artistic director of the theater company One Armed Man.3

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Portrait of Rudy Perez 2: Remain in Light

Circadian Circle photos

This is a second conversation with dancer-choreographer Rudy Perez, taking place last month on May 30. During our review of Part 1 Rudy raised a few topics that I wanted to pursue. And, of course, there had been the murder of George Floyd on Memorial Day, and the reactions from coast to coast.

What follows has been lightly edited for clarity. Many thanks to Susan Perry Miick for her help with photographs.

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Rosenberg Resistance

Léger - Mockup for a scarf

The year 2003 marked the fiftieth anniversary of the execution of Julius and Ethel Rosenberg. Their killing had a great impact on my wife Andrea Carney (see Part 1 and Part 2 of our trilogy). Somehow I learned that a major commemoration would be held in New York City on June 19, the same day they were killed. It was produced by the Rosenberg Fund for Children, founded in 1990 by the Rosenbergs’ son Robert, who was grateful for the support he and his brother Michael had been shown during the jailing of, and after the killing of, their parents. The fund’s purpose is “to find and help children today who are enduring the same kind of nightmare he endured as a child.”4

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