Portrait of Rudy Perez 4: Lingering in Spaces

Still from Stations

I do what I do because
that’s what I do, and if
I didn’t do it who would?

— Rudy Perez

In talking with Rudy Perez about his career’s performances over the last nine months (see Part 1, Part 2, and Part 3), I noticed how many took place in art spaces. Of course, by the time I met Rudy in 1980, performances—dance and otherwise—were often hosted by galleries—large and small, for-profit and non. What follows are reminiscences of such productions during the years before I left Los Angeles for Denver in 2005, including bits from our conversations earlier this month. Continue reading “Portrait of Rudy Perez 4: Lingering in Spaces”

Le plus grand zombie is US

Zombie wallpaper

Pardon merci, je suis le grand zombie
I’m just not human tonight

— Mekons, “Big Zombie”

I haven’t thought about anthropologist Wade Davis much since his 1985 nonfiction book The Serpent and the Rainbow was turned into what I thought was an icky film by Wes Craven in 1988.1 In L.A. I had a habit of picking up review copies and other first editions at Cosmopolitan Book Shop, where I got Davis’s book. I always had good luck there. Continue reading “Le plus grand zombie is US”

Islands Past: Future Islands’ “Thrill”

Future Islands "Thrill" still

I remember seeing the band Future Islands on a late night show, except that I rarely watch network television. It must have been their “Seasons (Waiting On You)” from Letterman’s Late Show in 2014 before Colbert took over. I thought, “Joe Cocker lives.” And I swear I recall telling my wife Andrea about lead singer Sam Herring: “He looks like he’s about to pee his pants.” That was then. Continue reading “Islands Past: Future Islands’ “Thrill””