Portrait of Rudy Perez 4: Lingering in Spaces

Still from Stations

I do what I do because
that’s what I do, and if
I didn’t do it who would?

— Rudy Perez

In talking with Rudy Perez about his career’s performances over the last nine months (see Part 1, Part 2, and Part 3), I noticed how many took place in art spaces. Of course, by the time I met Rudy in 1980, performances—dance and otherwise—were often hosted by galleries—large and small, for-profit and non. What follows are reminiscences of such productions during the years before I left Los Angeles for Denver in 2005, including bits from our conversations earlier this month. Continue reading “Portrait of Rudy Perez 4: Lingering in Spaces”

Everybody Dance Now 4: Time/Travel

I'm Not OK video still

This fourth edition of Everybody Dance Now involves travel in space and time, beginning with a short from Arizona filmmaker and photographer Harrison J. Bahe of Navajo Joe Films. “Xibalba” comes from the soundtrack of The Fountain (2006) composed by Clint Mansell, which also accompanies Bahe’s film. Xibalba is the Mayan underworld, which figures in The Fountain, a once-and-future picture that weaves together Mayan and Hebrew mythology, featuring a Spanish conquistador astoundingly being recognized by a native priest as the First Father, the life source. Continue reading “Everybody Dance Now 4: Time/Travel”

Portrait of Rudy Perez 2: Remain in Light

Circadian Circle photos

This is a second conversation with dancer-choreographer Rudy Perez, taking place last month on May 30. During our review of Part 1 Rudy raised a few topics that I wanted to pursue. And, of course, there had been the murder of George Floyd on Memorial Day, and the reactions from coast to coast.

What follows has been lightly edited for clarity. Many thanks to Susan Perry Miick for her help with photographs. Continue reading “Portrait of Rudy Perez 2: Remain in Light”

Symonds, Whitman, Rossetti and Rake

Outrage cover image

Before Christmas I checked out a book from my little public library branch: Naomi Wolf’s Outrages: Sex, Censorship, and the Criminalization of Love. I had a lot of other things to read and left it for last, not knowing what it contained, vaguely recognizing the author’s name. Turning to it, I recognized Wolf’s photo. If nothing else, readers might remember her defense of Julian Assange when he was accused of sex crimes in Sweden. I thought the book would be a history of censorship, but it’s more comprehensive. By introducing and then returning often to her cast of characters, Wolf creates an intimate narrative against the mise en scène of her historical sweep and sociopolitical stance. Continue reading “Symonds, Whitman, Rossetti and Rake”

And He Never Left!

Andrea Carney and David Hughes

In a comment to my post The Stranger Alongside Me in September our friend Milania remarked on my being a rescuer. In reply my husband David Hughes said, “I guess you could say she rescued me forty-four years ago this month! We’ll have to have Andrea tell that tale some day.” Milania urged me to do so “sooner rather than later.” Okay, but I should say that “rescue” sounds more dramatic that it really was, although David and I agreed that this story could get a little bit personal. Continue reading “And He Never Left!”