Picture-Perfect

Bachelors Anonymous photo

Ten days ago Rob Berg and I rounded out the Bachelors Anonymous studio catalog with The Big Picture. Rob came up with the album title and the cover design: a rainbow emerging behind us as we frame ourselves (at a 1990 New Year’s Eve party held at the home of Anne Atwell-Zoll, who sang backup with Ann Russell). My first thought was that the rainbow is passé, but with the resurgence of a loathing that never left, I’m reminded of those peace symbol posters from an earlier era: Back By Popular Demand.

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I’m Dreaming of a White Bicycle

Neil My White Bicycle cover

While searching for half-remembered short films on the theme of public restrooms last month (see In the Can), I ran across a parody of “God Rest You Merry, Gentlemen” posted last fall as a commentary on the trans* bathroom con-troversy.

The performer, Christopher Trautman, explains:

This song was recorded in North Carolina. The only State in the United States that passed a law specifically directing that the restroom you use must be based on the junk you possess. It was later repealed after a national embarrassment campaign [led] by Comedy Central where they opened a food truck called Bone Brothers Barbecue in downtown Raleigh and discriminated against everybody who they determined to be gay… which was everybody.

That barbecue pi—er—bit, which aired on The Daily Show in 2016, was by Roy Wood Jr., assisted by Jordan Klepper. It’s hilarious and is, mm…, cued up below.

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What’s This Feeling?

Portrait of E. M. Forster by Paul Cadmus

Now we shan’t never be parted.
It’s finished.

— Alec Scudder, from the film

Rob Berg and I released a thirty-year-old song by our band Bachelors Anonymous last week on the the occasion of the Winter Solstice; it also happened to be the birthday of Michael Tilson Thomas, whose work we knew as guest conductor of the Los Angeles Philharmonic in the early 1980s.

“What’s This Feeling?” asks a question that Rob posed to himself, and his affecting account is in the latest post from our BachelorBlog.

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Portrait of Rudy Perez 2: Remain in Light

Circadian Circle photos

This is a second conversation with dancer-choreographer Rudy Perez, taking place last month on May 30. During our review of Part 1 Rudy raised a few topics that I wanted to pursue. And, of course, there had been the murder of George Floyd on Memorial Day, and the reactions from coast to coast.

What follows has been lightly edited for clarity. Many thanks to Susan Perry Miick for her help with photographs. Continue reading “Portrait of Rudy Perez 2: Remain in Light”

And He Never Left!

Andrea Carney and David Hughes

In a comment to my post The Stranger Alongside Me in September our friend Milania remarked on my being a rescuer. In reply my husband David Hughes said, “I guess you could say she rescued me forty-four years ago this month! We’ll have to have Andrea tell that tale some day.” Milania urged me to do so “sooner rather than later.” Okay, but I should say that “rescue” sounds more dramatic that it really was, although David and I agreed that this story could get a little bit personal. Continue reading “And He Never Left!”

Falling Awake: Joseph Shuldiner (1957–2019)

Joseph Shuldiner

Yesterday my friend and collaborator Rob Berg messaged me that my old, dear friend Joseph Shuldiner died. Of a brain tumor. It’s a cruel joke: I’m the one bingeing on cheddar cheese, and last week I was told to go on statins.

My heart goes out to his spouse Bruce Schwartz, his sister Judy, and to all he’s touched.

Joseph and I go a long way back, but hadn’t corresponded for several years. Looking for a photograph last night I came upon a half-dozen file folders containing the following mementos. Continue reading “Falling Awake: Joseph Shuldiner (1957–2019)”

Make mine a La Croix

Scott Stapleton

Listening to songs by The Royal Family and the Poor while writing my last post, I found myself comparing them with those of Scott Stapleton, who has created and contributed to music in various guises: solo, Virgin Forest, Phosphorescent, New Duo.

Phosphorescent Forest

I first became enamored of Stapleton when viewing the chipped silver laquer of his nails as he played pedal steel on Phosphorescent’s “Song for Zula” at Glastonbury in 2014. It’s just about all we see of him apart from a denim shirt. His picking is tasteful and ensemble (yes that’s an adjective) and contrasts with his keyboard work the year before on Phosphorescent’s “The Quotidian Beasts” at the SXSW music festival. There, he is flamboyant in a red T on the keys, practically conjuring the song’s lyrics as they are sung by Matthew Houck (aka Phosphorescent), with flourishes from his hands and arms.

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