I’m Dreaming of a White Bicycle

Neil My White Bicycle cover

While searching for half-remembered short films on the theme of public restrooms last month (see In the Can), I ran across a parody of “God Rest You Merry, Gentlemen” posted last fall as a commentary on the trans* bathroom con-troversy.

The performer, Christopher Trautman, explains:

This song was recorded in North Carolina. The only State in the United States that passed a law specifically directing that the restroom you use must be based on the junk you possess. It was later repealed after a national embarrassment campaign [led] by Comedy Central where they opened a food truck called Bone Brothers Barbecue in downtown Raleigh and discriminated against everybody who they determined to be gay… which was everybody.

That barbecue pi—er—bit, which aired on The Daily Show in 2016, was by Roy Wood Jr., assisted by Jordan Klepper. It’s hilarious and is, mm…, cued up below.

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What’s This Feeling?

Portrait of E. M. Forster by Paul Cadmus

Now we shan’t never be parted.
It’s finished.

— Alec Scudder, from the film

Rob Berg and I released a thirty-year-old song by our band Bachelors Anonymous last week on the the occasion of the Winter Solstice; it also happened to be the birthday of Michael Tilson Thomas, whose work we knew as guest conductor of the Los Angeles Philharmonic in the early 1980s.

“What’s This Feeling?” asks a question that Rob posed to himself, and his affecting account is in the latest post from our BachelorBlog.

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Idol not Idle

Idol Not Idle header

Billy Idol has a new music video. And four dates in Vegas.

At the Chelsea. In October.

I remember first hearing Idol’s band Generation X on Rodney Bingenheimer’s show on KROQ. I thought the song was titled “Wild Dove.” Rather, it was the dub side to their second single, “Wild Youth.” It sounded so mysterious, this up-paced power-pop tune pulled apart.

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Portrait of Rudy Perez 4: Lingering in Spaces

Still from Stations

I do what I do because
that’s what I do, and if
I didn’t do it who would?

— Rudy Perez

In talking with Rudy Perez about his career’s performances over the last nine months (see Part 1, Part 2, and Part 3), I noticed how many took place in art spaces. Of course, by the time I met Rudy in 1980, performances—dance and otherwise—were often hosted by galleries—large and small, for-profit and non. What follows are reminiscences of such productions during the years before I left Los Angeles for Denver in 2005, including bits from our conversations earlier this month. Continue reading “Portrait of Rudy Perez 4: Lingering in Spaces”